Idea for “Web Strategies for Storytelling” final course project

June 30th, 2009

Our course on digital distribution is planning to create a website with a video carousel of sorts.  The question is, what should the theme of this website be?

User Engagement

I believe in order to encourage user engagement, the content on the site obviously needs to be meaningful to a particular audience.  I think the audience for our project would be the same audience for much of the content coming out of the UW’s MCDM program; that is to say, an audience eager to tap into our knowledge base.  If the site is too generic, or too wide in scope, it might lose its audience, too.  Having said that, I propose we generate video clips that are highly topical and relevant to our program.  So, each clip from each student should answer the question: “What is social media?” Or, “How do I use social media?”

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Embrace Infringement

June 12th, 2009

This is my final project for Kraig Baker’s Digital Media Law & Policy course at the University of Washington Master of Communication in Digital Media program, Spring Quarter 2009.

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Hanson Hosein and Independent America - Rising From Ruins: The Social Media Strategy

June 4th, 2009

Client: Hanson Hosein and Independent America - Rising From Ruins

The following post contains the final social media strategy to promote the recently released independent feature film, Rising From Ruins, part of the Independent America documentary series produced by HRHMedia.

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Should you stop suing your customers?

June 3rd, 2009
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Responding to Heidi Sinclair on Media and Brand Supremacy

May 13th, 2009

http://heidisinclair.wordpress.com/2009/04/24/brand-supremacy-and-media-the-new-brand-in-media-could-be-nike/

Heidi Sinclair argues that big brand names like Nike or Home Depot could be in an excellent position to enter the media business as content generators.  Nike could be the next ESPN, Home Depot could tackle the home improvement news realm, etc.  This is in keeping with Paul Gillin’s contention that a company like Staples could be a content source for information and resources related to small business, and so forth.

I completely, respectfully disagree with both Gillin and Sinclair.

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Hanson Hosein and Independent America - Rising From Ruins: discovery and tools deliverable for client

May 7th, 2009

Client: Hanson Hosein and Independent America - Rising From Ruins

The following contains a proposal, amended for discovery and including useful tools, for a social media strategy to promote the upcoming independent feature film, Rising From Ruins, part of the Independent America documentary series produced by HRHMedia.

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Discussing Benkler: could the market still industrialize new social patterns of information production?

May 7th, 2009

A rich information commons is vital to the widespread diffusion of social production. Without the commons, sharing, collaborating, and taking collective action1 are stymied. Yochai Benkler (2006), in his seminal work The Wealth of Networks, argued that new social patterns of information production could still be industrialized by the market through both state intervention and the incumbent control of communications infrastructure (p. 22-28). This article will explain where he was correct and how his claim might be invalidated.

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Social Media Strategy Proposal for Independent America: Rising From Ruins

April 27th, 2009

The following is a proposal for a social media strategy for promoting the upcoming independent feature film, Rising From Ruins, part of the Independent America documentary series produced by HRHMedia.

About Independent America: Rising From Ruins

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Independent America: Rising From Ruins is the 2008 follow-up to 2005’s Independent America: The Two-Lane Search For Mom & Pop.  Both feature-length documentaries are directed by Hanson Hosein, former CBC and MSNBC reporter and current director of the Master of Communication in Digital Media at the University of Washington.  As a series, Independent America focuses on the struggles and challenges faced by small businesses and business owners, as well as those communities such businesses occupy.  2005’s Mom & Pop took the documentarian road-tripping across the United States, capturing stories of hardship and determination in the face of growing mega-corporate encroachment.  Unfortunately, August 2005 brought devastation to one location the filmmakers were unable to visit until much later.  2008’s Rising From Ruins returned to the scenes of post-Katrina New Orleans to document the growing struggles faced by NOLA residents and small business owners as both government and big business attempt to execute a difficult and controversial recovery - one that hardly includes ‘mom and pop’.

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Hulu + YouTube = Funny Or Die, or how to solve YouTube’s revenue problem

April 23rd, 2009

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Say What?

They say YouTube isn’t making any money. Its bread and butter is user-generated content, although it has managed to draw partnerships with some major Hollywood content providers, such as Fox and Warner Bros. Nevertheless, the money is supposed to be sparse. Then you have Hulu, which got started with content from some of the major players, like NBC Universal and Fox, right off the bat. Hulu is, according to the word on the street, doing very well. And so what we’re looking at is two models, UGC and content from mass media. In other words, a site catering to social media vs. a site catering to mass media (or, instead of simply saying “mass media”, we mean the lumbering, late arrival of mass media content providers to the social media space).

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Proposed Social Media Strategy for the Seattle International Film Festival

April 23rd, 2009

siff_highres_cmykAbout SIFF

The Seattle International Film Festival is a organization dedicated to promoting communication through extraordinary films from around the world.  The annual festival brings together filmmakers and film denizens from parts far and wide, including the greater Seattle area, the Pacific Northwest, and the globe.  In addition to the festival, SIFF Cinema presents classic Hollywood pictures and other events throughout the year.

Current Reach

The mission of SIFF is simple: to create festival experiences that foster the film community here in Seattle.  To generate awareness, SIFF has traditionally utilized basic festival promotional techniques to promote their annual festivities.  This includes but is not limited to print advertising, marquee displays, and posters.  More recently, SIFF has executed a broad web strategy, consisting primarily of a website promoting the organization and the festival’s entries.  In addition to their website, SIFF has established partnerships with other Seattle-oriented organizations’ websites and various local blogs.  On top of this, SIFF has begun a foray into social media, creating Myspace, Facebook, and Twitter accounts.

Challenges

The success of films and film festivals often depends on socially produced word-of-mouth.  Positive word-of-mouth, especially that shared on-line, can make or break a movie.  Merely establishing a presence within social media, where this word-of-mouth can be generated and spread, does not do enough to promote the festival or its films.  Moreover, the impact of SIFF’s participation in social media is yet to be seen.  Additionally, SIFF’s biggest fans are not always the most social individuals.  How can the SIFF audience participate in a collective experience when being social-able is not always the M.O. of the biggest SIFF filmgoer?  And, how can SIFF bolster positive word-of-mouth?

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